UPDATE: This symposium has been canceled.
July 13-18, 2020 (One-week session)
Distinguished percussionists from Royal Concertgebouw Orchestra, New York Philharmonic, Chicago Symphony Orchestra, Cleveland Orchestra, Boston Symphony Orchestra, San Francisco Symphony Orchestra, and many more will gather at this Percussion "Think Tank" to discuss styles, sound productions, phrasings, listening sessions, body movements, strokes, brain in music, memorization, repertoire, performing, delivery, physical execution, practicing, auditions, career discussions, jazz improvisations, hand drums and daily technical lab classes on all percussion instruments and performances in master classes. There will be Zildjian cymbals to give away for the participant who wins the cymbals competition. Participants will also be involved in group ensemble in Latin percussion jam. High School students will have a separate session on college auditions.
There are no audition requirements.
MUS_WKSP 310 Section 5 Performance Workshop, One-Week 0 credit
MUS_WKSP 315 Section 5 Performance Workshop, One-Week 0.5 credit
(Additional charge to register for credit)
Participant Tuition: $650
Full Program Auditor: $400
Per Day Auditor: $80
(Only checks, money orders or cash will be accepted for auditor fees)
How to Apply
Applications must be submitted via the Summer Application (closed). Upon creating a file in the Application, applicants should select “Summer Session” as their application type, and then select the workshop to which you are applying. This will ensure that your file is distributed to the correct reviewers. No separate application form is necessary--do not submit an application to Northwestern University via the Common Application or Graduate Music Online Application. Applicants will be asked to upload a detailed resume.
The deadline for performer applications is May 4, 2020. Auditors are encouraged. The deadline for participant registration with full tuition due is May 29, 2020.
NOTE: No paper applications will be accepted. Do not mail recordings to the Bienen School of Music or to faculty, as these will not be reviewed or returned.
On-campus housing is available for participants 18 years of age and older. Participants who have not yet reached the age of 18 must either commute to campus each day or find alternative housing options.
She-e Wu has appeared as a solo artist at the 25th, 27th, and 30th Percussive Arts Society International Convention; Journées de la Percussion, NancyPhony Festival, perKumania festival, and PercuPassion Festival in France; Bach Symposium/Bach Variation Festival in Lincoln Center; Taiwan Connection concert at Alice Tully Hall, Lincoln Center; International Percussion Festival and InterAmerican Music and Arts Festival Orchestra in Puerto Rico; Festival Internacional de Percusion "Ritmo Vital 2001" and National Percussion Convention in Spain; Fukui Marimba Seminar in Japan; Giornate della Percussione in Italy; Percussion Festival in Greece; Taipei International Percussion Convention, and many other festivals. She has performed with the Chicago Symphony Orchestra at Carnegie Hall and Symphony Center, Chicago Chamber Musicians, and the Philadelphia Orchestra Chamber Music Series in Pearlman Hall at the Kimmel Center. Ms. Wu has performed as guest recitalist and clinician at universities, colleges, and conservatories in France, Belgium, Italy, Sweden, Denmark, England, Scotland, Germany, Spain, Greece, Japan, and Korea, as well as American music institutions and numerous PAS Days of Percussion throughout the United States.
Ms. Wu's composition Blue Identity was written for Frederic Macarez and the Paris Conservatory CNR percussion ensemble. Blue Identity was premiered in Paris at the Journées de la Percussion festival, and the American premiere took place at the 27th Percussive Arts Society International Convention. K-PAX, a piece for marimba duo, was commissioned by the Taipei International Percussion Convention in 2002 and was premiered in Taiwan and Japan. UP!, for solo percussion and seven percussionists, received its premiere at the Midwest Clinic in Chicago in December 2009. The world premiere of Ms. Wu's latest composition, What the Sun Would Say to the Sky, for marimba quartet, was premiered at PASIC 2011 in Indianapolis.
Ms. Wu has commissioned and premiered numerous works by Eric Ewazen, Ronald Caltabiano, Robin Engleman, Gerald Chenoweth, and many others. Ms. Wu's recent commissions are pieces written by Lee Hyla, Paul Lansky, and Dafnis Prieto. The world premiere of the percussion concerto with wind ensemble written by Paul Lansky is scheduled for January 2015 with the Northwestern University Symphonic Wind Ensemble. Ms. Wu has served as a judge for the Paris International Marimba Competition, Greece International Competition, Italy International Competition, Atlanta Snare Drum Competition, PASIC Marimba Competition, P.A.S. Composition Competition (Large Percussion Ensemble), and International Percussion Ensemble Competition (College).
Ms. Wu's recordings include Marimba Concerto by Eric Ewazen with the International Sejong Soloists, solo marimba CD Snapshot, Suite for Marimba and Flute by Alec Wilder with flautist Bart Feller, A Set of Songs and Dances by Doug Hill featuring Gail Williams on horn, and a chamber music recording with the American Brass Quintet of music by David Sampson. Her recording of Nos. 1, 2, and 3 of the Six Suites for Solo Cello by J. S. Bach, with Baroque embellishments by George B. Stauffer, was released in fall of 2014.
Ms. Wu is a clinician and recitalist for the Majestic, Mapex, Innovative Percussion, and Evans and Zildgian companies. Her signature mallets with Innovative Percussion are available worldwide. She plays on a concert marimba of her design by Majestic. Ms. Wu is associate professor of music and the head of the percussion program at Northwestern University.