Conducting and Wind Music Symposium

Mallory Thompson

With Michael Haithcock

July 9-14, 2023 (One-week session)

Schedule: Su 2:00pm - 8:00pm; MTWTH 8:00am - 6:00pm, F 7:30am - 3:30pm

Location: Ryan Center for the Musical Arts (Evanston Campus)

July 9-14, 2023

Overview

Taught by Mallory Thompson, Director of Bands at Northwestern University and Michael Haithcock, Director of Bands at the University of Michigan. This symposium is designed to enhance your conducting, teaching, and musical skills. Participants will be sent a list of scores to prepare in advance, with repertoire for a variety of ensembles and levels. In addition to conducting a live ensemble and receiving feedback from the faculty, participants will attend lectures and discussions on choosing repertoire, score study, rehearsal techniques, movement, and interpretation.

The symposium is recommended for conductors of all levels with a desire to learn and explore new ideas. There are two ways to participate in the workshop: as a conducting participant or as an observing auditor. All attendees will participate in lectures and discussions. We value the diverse identities and experiences of participants as everyone contributes their own unique perspective: everyone’s experience is enhanced and enriched through a more diverse group of participants. Preference will be given to those with a completed bachelor's degree and some teaching experience.

There are no audition requirements.

Available Credits

MUS_WKSP 310 Sec 4 Performance Workshop, One-Week 0 credit
MUS_WKSP 315 Sec 4 Performance Workshop, One-Week 0.5 credit

Tuition

Participant Tuition: $700, Full Program Auditor: $450

(Additional charge to register for credit)

How to Apply

Applications must be submitted via the Summer Application. Upon creating a file in the Application, applicants should select “Summer Session” as their application type, and then select the workshop to which they are applying. This will ensure that the file is distributed to the correct reviewers. No separate application form is necessary—do not submit an application to Northwestern University via the Common Application or Graduate Music Online Application. Applicants will be asked to upload a detailed resume and provide a personal statement.

Due to the tremendous interest in this workshop, early submission (by February 1) is strongly recommended. Applicants will be screened as soon as materials are received and notified of admission via email. Participant registration is limited to 34 individuals. Registration with full payment is required to reserve your participation and will be accepted until the symposium is filled. Payments must be received no later than June 1, 2023.

NOTE: No paper applications will be accepted. Do not mail recordings to the Bienen School of Music or to faculty, as these will not be reviewed or returned.


Faculty

See Full Bio

Mallory Thompson

Close

Mallory Thompson '79, '80 MMus is director of bands, professor of music, coordinator of the conducting program, and holds the John W. Beattie Chair of Music at Northwestern University. In 2003 she was named a Charles Deering McCormick Professor of Teaching Excellence. As the third person in the university's history to hold the director of bands position, Dr. Thompson conducts the Symphonic Wind Ensemble, teaches undergraduate and graduate conducting, and administers all aspects of the band program. She has recorded five albums with the Northwestern University Symphonic Wind Ensemble on the Summit Records label.

Thompson received the Bachelor of Music Education degree and Master of Music degree in conducting from Northwestern University, where she studied conducting with John P. Paynter and trumpet with Vincent Cichowicz. She received the Doctor of Musical Arts degree from the Eastman School of Music, where she studied with Donald Hunsberger.

Maintaining an active schedule as guest conductor, conducting teacher, and guest lecturer throughout the United States and Canada, Thompson has had the privilege of teaching conducting to thousands of undergraduates, graduate students, and professional educators. She has served as a conductor or clinician at the College Band Directors National Association regional and national conventions, the Midwest Clinic, the Interlochen Arts Academy, numerous state music conventions, and the Aspen Music Festival. In addition to conducting all-state ensembles throughout the United States, she has had professional engagements as guest conductor with the United States Air Force Band, the United States Army Band “Pershing’s Own,” the United States Army Field Band, the United States Coast Guard Band, the United States Navy Band, the West Point Band, the Dallas Wind Symphony, Symphony Silicon Valley, the Detroit Chamber Winds and Strings, Monarch Brass Ensemble, and Banda Sinfônica in Sao Pãulo, Brazil. Her professional affiliations include Pi Kappa Lambda, the College Band Directors National Association, and the American Bandmasters Association.

Dr. Thompson is especially proud of her 53 graduate conducting students and the hundreds of outstanding Symphonic Wind Ensemble members with whom she has had the joy of making music at Northwestern. She treasures her relationship with the Wildcat Marching Band and is honored to preserve and grow Northwestern’s legacy.

See Full Bio

Michael Haithcock

Close

Michael Haithcock assumed his duties as director of bands and professor of music (conducting) at the University of Michigan in the fall of 2001 following 23 years on the faculty of Baylor University. Following in the footsteps of William D. Revelli and H. Robert Reynolds, Professor Haithcock conducts the internationally renowned University of Michigan Symphony Band, guides the acclaimed graduate band and wind ensemble conducting program, and provides administrative leadership for all aspects of the University of Michigan’s diverse and historic band program.

Ensembles under Haithcock’s guidance have received a wide array of critical acclaim for their high artistic standards of performance and repertoire. These accolades have come through concerts at national and state conventions, performances in major concert venues, and recordings on the Albany, Arsis, and Equilibrium labels. Haithcock was selected to conduct the world premiere of Daron Hagen’s Bandanna, an opera for voice and wind band, commissioned by the College Band Directors’ National Association. He is a leader in commissioning and premiering new works for concert band.

Haithcock has earned the praise of both composers and conductors for his innovative approaches to developing the wind ensemble repertoire and programming. Haithcock is in constant demand as a guest conductor and as a resource person for symposiums and workshops in a variety of instructional settings as well as festival and all-state appearances throughout the country.

A graduate of East Carolina University – where he received the 1996 Outstanding Alumni Award from the School of Music – and Baylor University, Haithcock has done additional study at a variety of conducting workshops including the Herbert Blomstedt Orchestral Conducting Institute. The Instrumentalist, the Michigan School Band and Orchestra Association, the School Musician, the Southwest Music Educator, and WINDS magazine have published his articles on conducting and wind literature.

Mallory Thompson

Close

Mallory Thompson '79, '80 MMus is director of bands, professor of music, coordinator of the conducting program, and holds the John W. Beattie Chair of Music at Northwestern University. In 2003 she was named a Charles Deering McCormick Professor of Teaching Excellence. As the third person in the university's history to hold the director of bands position, Dr. Thompson conducts the Symphonic Wind Ensemble, teaches undergraduate and graduate conducting, and administers all aspects of the band program. She has recorded five albums with the Northwestern University Symphonic Wind Ensemble on the Summit Records label.

Thompson received the Bachelor of Music Education degree and Master of Music degree in conducting from Northwestern University, where she studied conducting with John P. Paynter and trumpet with Vincent Cichowicz. She received the Doctor of Musical Arts degree from the Eastman School of Music, where she studied with Donald Hunsberger.

Maintaining an active schedule as guest conductor, conducting teacher, and guest lecturer throughout the United States and Canada, Thompson has had the privilege of teaching conducting to thousands of undergraduates, graduate students, and professional educators. She has served as a conductor or clinician at the College Band Directors National Association regional and national conventions, the Midwest Clinic, the Interlochen Arts Academy, numerous state music conventions, and the Aspen Music Festival. In addition to conducting all-state ensembles throughout the United States, she has had professional engagements as guest conductor with the United States Air Force Band, the United States Army Band “Pershing’s Own,” the United States Army Field Band, the United States Coast Guard Band, the United States Navy Band, the West Point Band, the Dallas Wind Symphony, Symphony Silicon Valley, the Detroit Chamber Winds and Strings, Monarch Brass Ensemble, and Banda Sinfônica in Sao Pãulo, Brazil. Her professional affiliations include Pi Kappa Lambda, the College Band Directors National Association, and the American Bandmasters Association.

Dr. Thompson is especially proud of her 53 graduate conducting students and the hundreds of outstanding Symphonic Wind Ensemble members with whom she has had the joy of making music at Northwestern. She treasures her relationship with the Wildcat Marching Band and is honored to preserve and grow Northwestern’s legacy.

Michael Haithcock

Close

Michael Haithcock assumed his duties as director of bands and professor of music (conducting) at the University of Michigan in the fall of 2001 following 23 years on the faculty of Baylor University. Following in the footsteps of William D. Revelli and H. Robert Reynolds, Professor Haithcock conducts the internationally renowned University of Michigan Symphony Band, guides the acclaimed graduate band and wind ensemble conducting program, and provides administrative leadership for all aspects of the University of Michigan’s diverse and historic band program.

Ensembles under Haithcock’s guidance have received a wide array of critical acclaim for their high artistic standards of performance and repertoire. These accolades have come through concerts at national and state conventions, performances in major concert venues, and recordings on the Albany, Arsis, and Equilibrium labels. Haithcock was selected to conduct the world premiere of Daron Hagen’s Bandanna, an opera for voice and wind band, commissioned by the College Band Directors’ National Association. He is a leader in commissioning and premiering new works for concert band.

Haithcock has earned the praise of both composers and conductors for his innovative approaches to developing the wind ensemble repertoire and programming. Haithcock is in constant demand as a guest conductor and as a resource person for symposiums and workshops in a variety of instructional settings as well as festival and all-state appearances throughout the country.

A graduate of East Carolina University – where he received the 1996 Outstanding Alumni Award from the School of Music – and Baylor University, Haithcock has done additional study at a variety of conducting workshops including the Herbert Blomstedt Orchestral Conducting Institute. The Instrumentalist, the Michigan School Band and Orchestra Association, the School Musician, the Southwest Music Educator, and WINDS magazine have published his articles on conducting and wind literature.