Northwestern University Symphony Orchestra

Saturday, January 31, 2026 at 7:30pm CST
Pick-Staiger Concert Hall
Vimbayi Kaziboni, guest conductor; Luis Aguilar, graduate conductor; Angeline Ma, piano (Northwestern Concerto Competition winner)
Internationally acclaimed Zimbabwean conductor Vimbayi Kaziboni is conductor-in-residence of Austria’s Klangforum Wien, artist-in-residence and conductor of the International Contemporary Ensemble, music director of the Composers Conference, and artistic advisor of the Boston Lyric Opera.
The program opens with a selection from Giacinto Scelsi's most well-known work, exploring the surprising potential of a single note, followed by Ludwig van Beethoven's powerful and expressive overture to the Goethe tragedy Egmont. Northwestern Concerto Competition winner Angeline Ma joins the orchestra for Sergei Prokofiev's formidable Piano Concerto No. 2 in G Minor. While the work received mixed reactions at its 1913 premiere, its pyrotechnics have continued to make an impression on listeners, with Russian pianist Denis Matsuev declaring it "Prokofiev's Everest... In dramatic effect and intensity of emotions, it takes first place among all piano concertos. The first movement is really powerful—it's like a volcano!" Closing the program is Alfred Schnittke's Gogol Suite, constructed of music Schnittke composed for the Nikolai Gogol play The Census List. The suite skillfully merges the play's tragic and comic elements to spirited, humorous effect.
Giacinto Scelsi, first movement from Quattro pezzi (su una nota sola)
Ludwig van Beethoven, Egmont Overture
Sergei Prokofiev, Piano Concerto No. 2 in G Minor, Op. 16
Alfred Schnittke, Gogol Suite
Tickets are $8 for the general public and $5 for students with valid ID.
Buy TicketsPick-Staiger Concert Hall
Address
50 Arts Cir Dr
Evanston, IL 60208
United States
About
Pick-Staiger is a 972-seat hall located in the Arts Circle on the Evanston campus of Northwestern University. The main lobby entrance for concerts is on the west side of the building (revolving and regular doors). Since its inception in 1975, the hall has functioned as both a classroom and performance facility for Bienen School of Music performing ensembles, faculty recitals, festivals, and professional guest artists.