This story originally appeared in Fanfare Fall 2024.
Dean Holland reflects on his first year in office and charts a path forward for the Bienen School
In his busy first year as dean, Jonathan Bailey Holland met with countless alumni, students, faculty, and friends of the Bienen School of Music. He attended performances representing all areas of the school, engaged in meetings and discussions with people across the University to learn about current and potential partnerships, and hosted alumni events in New York, Los Angeles, Phoenix, and Chicago. Composing and teaching occupied his spare time, and his works were performed by a host of major ensembles, including the Los Angeles Philharmonic and the Cincinnati, Detroit, Harrisburg, Salisbury, and Tucson Symphony Orchestras.
What have you discovered about the Bienen School in your first year as dean?
Bienen is full of extremely talented students who consistently perform and create at a high level. Our students are committed and eager to absorb all they can from the opportunities available to them. They display an impressive level of professionalism and poise, and they show great respect for their work and for their colleagues. I believe this is what creates an environment in which students can excel, take risks, and ultimately reap the full bene-fits of being at Northwestern. I have also discovered that Bienen has perhaps the best view in the greater Chicago area.
Describe a few of the standout student performances you attended last year.
There were so many great performances. Donald Schleicher invited me to the very first Symphony Orchestra rehearsal, and hearing how far that ensemble had progressed at their first concert was a great example of their capacity for growth. The Contemporary Music Ensemble performed a remarkably broad range of repertoire, including freshly written works from our own students as well as music from established composers like Nemmers Prize winner Tania León, demonstrating our students’ breadth and adaptability with often challenging and exposed music. The Bienen Contemporary/Early Vocal Ensemble’s unique concert of works for solo voice and for chorus allowed opportunities for the entire ensemble as well as individual singers to shine. The final concert of the Symphonic Wind Ensemble was a hallmark commanding performance. And I was glad to see our student conductors integrated into so many performances.