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CONTACT:
Judy Moore at (847) 491-4819 or jkm229@northwestern.edu
FOR RELEASE: April 2, 2008
Digital images available on request
PDF version of this
release
Kaija Saariaho Wins $100,000
2008 Nemmers Composition Prize
EVANSTON, Ill. --- The Northwestern University School of Music
today (April 2) announced that Finnish composer Kaija Saariaho
is the 2008 winner of the $100,000 Michael Ludwig Nemmers Prize
in Music Composition. The biennial award honors classical modern
composers of outstanding achievement who have significantly affected
the field of composition. Past winners include John Adams (2004)
and Oliver Knussen (2006).
Saariaho was cited by the selection committee for “transforming
avant-garde techniques into a world of luminous, shifting color
and emotional depth, mirroring the human experience.”
As winner of the 2008 Nemmers Prize, Saariaho receives a cash
award of $100,000 and during the 2009-10 season a performance
of one of her works by the Chicago Symphony Orchestra. She
also will be in residence at Northwestern University’s
School of Music during the 2008-09 and 2009-10 academic years.
Her first residency is scheduled for January 2009.
Kaija Saariaho said, “I am very honored to have received
the Nemmers Prize. Awards of this rank are important because
they recognize a composer’s life work and the great effort
required to develop and deepen a musical style. I was especially
happy to read the prize citation because it indicates that I
have been successful in reaching some of my musical goals.”
Northwestern University School of Music Dean Toni-Marie Montgomery
said, “Ms. Saariaho has extended both musical vocabulary
and instrumental technique into a new language that is profoundly
beautiful and highly personal. Our students and faculty look
forward to welcoming her to the Evanston and Chicago communities.”
The anonymous, three-member Nemmers Prize committee that selected
Saariaho comprised individuals of widely recognized stature in
the international music community.
The Michael Ludwig Nemmers Prize in Musical Composition is made
possible through a generous gift from the late Erwin E. Nemmers
and Frederic E. Nemmers, who in 1994 enabled the creation of
the Erwin Plein Nemmers Prize in Economics and the Frederic Esser
Nemmers Prize in Mathematics, leading awards in those fields.
Kaija Saariaho
Born in Helsinki, Finland in 1952, Kaija Saariaho studied at
the Sibelius Academy with the pioneering modernist Paavo Heininen.
She continued her studies at the Freiburg Hochschule with Brian
Ferneyhough and Klaus Huber and, from 1982, at the IRCAM (Institut
de Recherche et Coordination Acoustique/Musique) research institute
in Paris – the city which has been her home ever since.
Through IRCAM, Saariaho became allied with the French ‘spectralist’ composers,
whose techniques are based on computer analysis of the sound-spectrum
of individual notes on different instruments. While there, she
developed techniques of computer-assisted composition and acquired
fluency in working on tape and with live electronics. She first
came to public attention with her compositions “Verblendungen” for
orchestra and tape (1982-84), “Lichtbogen” for chamber
ensemble and live electronics (1985-86), and “Nymphea” (1987)
that was commissioned by New York’s Lincoln Center for
the Kronos Quartet. In recent years she has transformed her language
into one of transparent clarity that focuses on color, timbre
and expressiveness.
With a catalog of more than 80 works of every
genre, Saariaho’s
major pieces include the violin concerto “Graal theatre” (1994),
written for violinist and conductor Gidon Kremer; the vocal works “Chateau
de l’ame” (1996) and “Lohn” (1996), both
written for soprano Dawn Upshaw and commissioned by the Salzburg
Festival and the Vienna Modern Music Festival, respectively; “Oltra
mar” (1998-99), premiered by the New York Philharmonic
Orchestra; a flute concerto, “Aile du songe” (2001)
for flutist Camilla Hoitenga; “Nymphea Reflection” (2001)
for string orchestra; “Orion” (2002) for the Cleveland
Orchestra; and “Quatre Instants” (2002) for soprano
Karita Mattila.
Saariaho has enjoyed particular success with her large works
for voice. Her first opera “L’Amour de loin” (2000),
with a libretto by Amin Maalouf, is based on the life of 12th
century troubadour Jaufre Rudel. Commissioned by the Salzburg
Festival and the Theatre du Chatelet, it received widespread
acclaim when premiered in 2000 with Dawn Upshaw in the leading
role and Peter Sellars as director. Two years later the piece
won the prestigious Grawemeyer Award. A second opera, “Adriana
Mater” (2005), also with a libretto by Maalouf and directed
by Sellars, was premiered at the Opera Bastille.
It was presented this spring by the Finnish National Opera in
Helsinki and will be heard this summer at the Santa Fe Opera.
An evening-long oratorio “La Passion de Simone” (2007),
with a libretto by Maalouf, was commissioned by the Wiener Festwochen,
the Los Angeles Philharmonic, the Barbican Centre and the Lincoln
Center for the Performing Arts for a 2006 premiere at Peter Sellars’ New
Crowned Hope Festival in Vienna. The piece centers on the life
and works of philosopher Simone Weil. Performances have since
taken place at the Barbican Centre in London and in Helsinki, with
future presentations scheduled at the Lincoln Center for the
Performing Arts this summer and in January 2009 with the Los
Angeles Philharmonic.
Recent world premieres for Saariaho include “Notes on
Light,” commissioned and performed by the Boston Symphony; “Terra
Memoria” for the Emerson String Quartet; and “Mirage,” written
for soprano Karita Mattila and cellist Anssi Karttunen, by the
Orchestre de Paris, conducted by Christoph Eschenbach. The latter
has already been performed 10 times throughout the world. Saariaho
is currently at work on an orchestral piece for the Berlin Philharmonic
with Simon Rattle conducting.
Among Saariaho’s many honors and awards are the designation
of “2008 Composer of the Year” by Musical America,
the Prix Italia, and the Musical Award of the North Council.
Her music can be heard on more than 40 compact discs on the Deutsche
Gramophone, SONY, ECM, EMI and Ondine labels, among others.
For more information on Kaija Saariaho visit
her bio page at chesternovello.com.
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