William Barnewitz
Lecturer, Horn
w-barnewitz@northwestern.edu - 847-491-7609
Principal horn, Milwaukee Symphony and Santa Fe Opera Orchestras.
Recent Activity
Former associate principal horn, Utah Symphony Orchestra. Performances with Summit Brass, New York Chamber Soloists, and Santa Fe Chamber Music Festival as well as with Music in the Mountains, Vermont Mozart Festival, and Peninsula and Grand Teton Music Festivals. Frequent solo, chamber music, and lecture appearances. Numerous solo recordings. Grand prize winner, American Horn Competition. Studied with James Chambers at the Juilliard School and Frederick Bergstone at the North Carolina School of the Arts.
Janet R. Barrett
Associate Professor, Music Education
j-barrett3@northwestern.edu - 847-467-1258
PhD, University of Wisconsin-Madison
Recent Activity
Coordinator, Music Education Program. General music specialist and researcher.Research
interests in curriculum studies, interdisciplinary approaches in music education,
and professional development in music teacher education. Co-author of Looking
In On Music Teaching (McGraw-Hill/Primis, 2000) and Sound Ways of
Knowing: Music in the Interdisciplinary Curriculum (Schirmer, 1997). Contributor
to the New Handbook of Research on Music Teaching and Learning, the International
Handbook of Research in Arts Education, Music Education Research, Bulletin
of the Council for Research in Music Education, Research Studies in Music Education. Taught
general and choral music in Iowa and Wisconsin. Chair-elect of the Society
for Music Teacher Education.
Thomas Bauman
Professor, Musicology
t-bauman@northwestern.edu - 847-467-2031
PhD, University of California, Berkeley
Specialist in opera, film music, cultural studies, Mahler. Recipient, National
Endowment for the Humanities Fellowships, ACLS Grant-in-Aid, Pew Foundation
Grant, Andrew Mellon Faculty Fellowship (Harvard University). Author, North
German Opera in the Age of Goethe (Cambridge University Press, 1985), W.
A. Mozart's Die Entführung aus dem Serail (Cambridge University Press,
1987). Contributor, The
Oxford Illustrated History of Opera (Oxford University Press, 1993), New
Grove Dictionary of Opera (Macmillan, 1992). Former board member, American
Musicological Society.
J. Lawrie Bloom
Assistant Professor, Clarinet
l-bloom@northwestern.edu - 847-491-7228
MMus, Arizona State University
Recent Activity
Solo bass clarinet, Chicago Symphony Orchestra (1980-present). Artistic codirector of Eastern Shore Chamber Music Festival in St. Michael's, Maryland. Former member, Vancouver, Phoenix, and Cincinnati Symphonies and Lyric Opera of Chicago Orchestra.
Richard Boldrey
Senior Lecturer, Opera
847-467-3963
Chicago Music College
Member of Lyric Opera of Chicago staff since 1981. Served as maestro and assistant
to Carlo Bergonzi at the Bel Canto Festival, Busseto, Italy. Former music director
of Colorado Lyric Theatre Festival. Former music director of Opera Southwest
(Albuquerque, New Mexico). Reestablished the Opera Workshop program at North
Park College. Former assistant conductor, Opera Midwest (Evanston, Illinois).
Co-directed the Bold Lion Center for the Performing Arts. Former head of University
of Illinois' opera department. Former music director of the University of Iowa's
opera department. Currently music editor of Singer's Edition, a multi-volume
opera anthology. Author, Guide to Operatic Roles and Arias and Guide
to Operatic Duets.
Marcia Bosits
Associate Professor, Piano Pedagogy
m-bosits@northwestern.edu - 847-491-5735
DMus, Northwestern University
Recent Activity
Director of Graduate Studies. Director of piano pedagogy. Internationally
recognized performance and pedagogy specialist. Has presented master classes
and seminars throughout the United States, Canada, and the Far East. Officer,
Music Teachers National Association and National Conference on Piano Pedagogy.
Chamber musician; author of articles in national music journals.
Robert Boyd
Lecturer, Music Education
r-boyd@northwestern.edu
MMus, Northwestern University
Recent Activity
Specialist in Secondary Choral Music Education. Taught choral
music and music theory for 33 years at Lyons Township High School
in La Grange, IL. Previously served as choral division vice president of the
Illinois Music Educators Association, a position he held from 1991-97. Served
the Illinois Chapter of the American Choral Directors Association in various
capacities, and is currently secretary of the state organization.
Honored in 2003 by the National Federation Interscholastic Music Association
as Outstanding Music Educator of Illinois—the first Illinois choral director
in the state to be so honored. Awarded in 2006 the
Harold A. Decker Award for career choral excellence by the Illinois chapter
of the ACDA. His choral groups have been invited to perform at the IMEA,
ACDA-Illinois, and ACDA Central Division conventions. Frequent guest
choral conductor/clinician.
Theresa Brancaccio
Senior Lecturer, Voice/Vocal Pedagogy
tbrancaccio@northwestern.edu - 847-491-4518
MMus, Northwestern University
Recent Activity
Mezzo-soprano. Solo appearances with Grant Park Symphony Orchestra, St. Louis Bach Society, Colorado Mahler Festival, DuPage Symphony, New Oratorio Singers, Elgin Symphony, Sacramento Bach Festival. Leading operatic roles with Central City Opera, Chattanooga Opera, DuPage Opera Theater, Madison Opera, Chicago Opera Theater, and Light Opera Works. First prizes, Union League Civic Arts Foundation, Bel Canto Foundation, Louis Sudler Oratorio Competition, Chicago Women's Musical Club, Crescendo Club, and Italian Cultural Center. Featured in recordings of Janowski, Giles, Mahler, Cathedral Brass.
Karen Brunssen
Associate Professor, Voice and Opera
kab180@northwestern.edu - 847-467-1628
BMus, Luther College
Recent Activity
Co-chair, Department of Music Performance. Coordinator, Voice & Opera Program.
Mezzo-soprano. Solo appearances with Cleveland Orchestra and Chicago, Baltimore,
Pittsburgh, Houston, St. Louis, National, San Diego, Seattle, Milwaukee, Netherlands
Radio, and Mexico City Symphony Orchestras. Appearances with Buffalo Philharmonic,
Cincinnati Opera, Music of the Baroque, Blossom Festival, Waterloo Festival,
Grant Park Festival, Chicago Opera Theatre, Carmel Bach Festival, Colorado
Music Festival, and Prague Autumn Festival. Recordings of Telemann's Day of
Judgment, Mozart's Mass in C Minor, and Monteverdi's Vespers of 1610 with Music
of the Baroque. Other recordings on Decca and Vox MMG.
Elizabeth Buccheri
Senior Lecturer, Piano and Collaborative Arts
e-buccheri@northwestern.edu - 847-491-3242
DMusA, Eastman School of Music
Recent Activity
Chamber musician and vocal coach. Assistant conductor, Lyric Opera of Chicago (1987-present). Founder and music director, Chamber Music at North Park concert series. Previously collaborative pianist, Ravinia Festival's Steans Institute for Young Artists, and pianist, Rochester Philharmonic Orchestra. Performances with Buffalo Philharmonic Orchestra, Vermeer and Shanghai String Quartets, Midori, Gil Shaham, Pawel Berman, Suzanne Mentzer, Samuel Ramey, and Sherrill Milnes. Solo and chamber music recordings on CRI, Spectrum, Sony, Cedille, Boston, and Albany. Musical preparation for numerous performances and recordings by Chicago Symphony Orchestra and Chorus. Studied with Brooks Smith at the Eastman School of Music. First American musician to receive the Sir Georg Solti Foundation Award.
Barbara Butler
Professor, Trumpet
b-butler@northwestern.edu -
847-491-7228
BMus, Northwestern University
Recent Activity
Soloist with Music of the Baroque, Chicago Chamber Musicians, and Grand Teton Music Festival Orchestra. Former member, Eastman Brass, Eastman Virtuosi, and Vancouver and Grant Park Symphony Orchestras. Performances, recordings, and broadcasts with St. Louis, Chicago, and Houston Symphony Orchestras and New York Philharmonic. Solo appearances with major orchestras and festivals. Recitals and master classes presented worldwide. Recordings and international broadcasts with Eastman Brass, Music of the Baroque, Chicago Chamber Musicians, and CBC Radio. Former faculty member, Eastman School of Music and University of British Columbia. Studied with Vincent Cichowicz and Adolph Herseth.
Previously served on faculty at
the University of Pennsylvania. Has received fellowships from the American
Academy in Berlin and the National Endowment for the Humanities, as well as
the Wiley Housewright Dissertation Award from the Society for American Music.
Research interests include popular music, rhythm and meter, music and sexuality,
and technologically mediated performance. Integrates theoretical,
historical, and anthropological approaches to music, with particular emphasis
on the use of ethnographic methodology to address music-theoretical questions.
Wrote Unlocking the Groove: Rhythm, Meter, and Musical Design
in Electronic Dance Music (Indiana University Press, 2006). Currently
working on a book focusing on relationships between technology, improvisation,
and composition in electronic–music performance. Authored articles in Music
Theory Online, Twentieth-Century
Music, Theoria, and Popular Music. Classical pianist
and frequent performer of new music.